PUBLISHED ARTICLES BY WARREN BURT
(where no page number is given, page number is unknown)
1. "Out and About" (Melbourne Concert Diary); New Music Newspaper, No. 1, Melbourne 1977 page 12-14
2. "Video Spectrum"; New Music Newspaper, No. 2, Melbourne, 1977 page 5
3. "Stalin"; texts for piece of same name, ICA Magazine, Sydney, 1977
4. "Cassettes: Warren lists a few of the advantages"; New Music Newspaper No. 3, Melbourne, 1978 page 18
5. "Interview with Warren Burt" (R. Randall and F. Bendinelli); Access Video, Melbourne, 1978
6. "Music in the 80s" ABC FM 24 Hours, Sydney, October '79 page 4
7. "Nighthawk"; excerpt published in Text/Sound Texts ed. Richard Kostelanetz, New York, 1980
8. "Composer Profile"; New Music 1978-79, Northcote, 1980
9. "Rainer Linz, John Campbell and Music 4"; New Music 1980, Nr. 3, Northcote, 1980 page 36-38
10. "Notes" to Epic Monumental Project Performances; New Music 1980, Nr. 4, Northcote, 1980 page 7-24
11. "Herbie Jercher/Chris Babinskas"; New Music 1980 Nr. 4, Northcote, 1980 page 31-34
12. "Der Yiddisher Cowboy"; Cantrill's Film Notes Nos. 35-36, Melbourne, 1981 page 27-29
13. "On the Relation of Sound and Image in Moods"; Cantrill's Film Notes Nos. 35-36, Melbourne, 1981 page 56-64
14. "How to be a Great Composer"; NMA Nr. 1 Melbourne, 1981 page 17-21
15. "Musical Perception and Exploratory Music"; Art & Text Nr. 5, Melbourne, 1981 page 48-57
16. "Seven Composers in Three Parts"; Art Network Nr. 6, Sydney, 1982 page 36-38
17. "Music, Art, and a Repudiation of Irony in Post-Modernism"; Virgin Press, Melbourne, 1982 page 21-24
18. "Music without Hatred"; Stuff, Melbourne, 1983 unnumbered page
19. "The Microprocessor and Exploratory Music"; Australian Micro, Sydney, July 1983, page 38-40
20. "Artificial Reality: A Review"; Australian Micro, Sydney, August 1983, page 78
21. "Post-Modern Performer/Composers from Australia"; ArtPress, Paris, 1983
22. "A Meditation on Australian Exploratory Music" Le Monde de la Musique, Paris, Sept. 1983
23. "Ramble" News of Music, Annandale-on-Hudson, New York, 1984 un-numbered pages
24. "...de la reve..." Stuff, Melbourne, 1984 un-numbered page
25. "Tango by Jon Rose and Martin Wesley-Smith - a review" Australian Music Centre News No. 8, Sydney, 1985 page 25
26. "Instrumental Composition"; AMC News No. 9, Sydney, 1985 page 3-5, 14,15
27. "An Interview with Ron Nagorcka"; AMC News No 9, Sydney, 1985 page 6-8
28. "An Interview with Chris Mann"; AMC News No 9, Sydney, 1985 page 11-13
29. "A Reading List"; AMC News No 9, Sydney, 1985 page 18-21
30. "New Music and Context"; ISCM Journal No 3, 1985 page 18-19
31. "A Month of Radio"; ISCM Journal No 1, Sydney, 1986 page 10-11
32. "Replies to James Koehne"; Meanjin 1/1986, Melbourne, 1986 page 129-136
33. "Sound as a Means of Changing Consciousness"; I S Journal No 2; International Synergy Institute, Los Angeles, 1986 page 11-18
34. "A Brief Survey of Australian Electro-Acoustic Music"; SEAMUS Newsletter, Los Angeles, 1986,
35. "A Set of Justly-Tuned Aluminium Tuning Forks"; Experimental Musical Instruments vol 2, no. 5, Nicasio, Ca., Feb. 1987 page 12-13
36. "Composing for a Set of Justly-Tuned Aluminium Tuning Forks"; Interval Vol V #3, Winter 1986-87, San Diego, page 13, 23
37. "Fine Tuning" Artlink, vol 7 nos 2 & 3, Henley Beach, SA, 1987 page 106-107
38. "Kenneth Gaburo" 24 Hours, August '87, Sydney, reprinted in Sounds Australian No. 15, Oct. '87, Sydney, page 40-41
39. "Some Thoughts on "Nature" and "String Trio No. 2" Cantrill's Film Notes No 53,54, Sept. '87, Melbourne, page 22-29
40. "The 3DIS System" Sounds Australian 19, Sydney, NSW, 1988 page 27-33 41. "Interview with Bruce Smeaton" Sounds Australian 19, Sydney, 1988, page 6-9
42. "Samples III for Computer Processed Orchestra Sounds",NMA 6, NMA Publications, Melbourne, 1988, page 7-15
43. "Funf Absatze uber Kommunikation/Interaktion" Kunstforum International 103, Koln, 1989, page 265-267
44. "Fair Exchanges" Writings on Dance 5, Melbourne 1990, page 38-44
45. "Motivation Interview with Warren Burt," (by Ellen Band) Musicworks 48, Toronto, Autumn 1990, page 6-15
46. "Do We Really Need More Arts Coverage" Sounds Australian 26, Sydney 1990, page 10-11
47. "Towards a Global Symphony" Sounds Australian 27, Sydney 1990, page 25-27
48. "Experimental Music from Australia Using Live Electronics" Contemporary Music Review, Vol 6, No. 1 London, 1991 page 159-172
49. "Australian Experimental Music 1963-1990" Leonardo Music Journal vol 1, No. 1, San Francisco 1991 page 5-10
50. "Interactive Improvisations with Electronic Music Systems" Sounds Australian 32, Sydney 1992, page 41-44
51. "Australia's Felix" 24 Hours, Sydney, Feb. 1992, page 54-55
52. "Essay on Post-Modernism" and "A Post-Post-Modern Afterword" Sounds Australian 33, Sydney 1992, page 18-26 and 44-47 (Special issue on postmodernism edited by Warren Burt)
53. "Interview with Nanette Hassall" Sounds Australian 33, Sydney 1992, page 28-32
54. "Some Relevant Quotes and Thoughts" in "An Emotional Geography of Australian Composition" ed. I. Shanahan and C. Dench, Sounds Australian 34, Sydney 1992, page 17-19
55. "The Pink Violin" review of the book by Jon Rose and Rainer Linz, Sounds Australian 34, Sydney 1992, page 51.
56. "17 Tones, review of Thurmchen Verlag publication" NMA 10 Melbourne, 1993
57. "Extended Wind Instruments from Warren Burt and Brigid Burke", Experimental Musical Instruments Vol. 9, No. 2, Nicasio, Ca. Dec. 1993, page 16-17
58. "Installation at Experimenta: Fighting the "So-What" Factor in Electronic Art" Continuum Vol 8, No 1. Perth, 1994 page 58-68
59. "Thoughts on Physicality and Interaction in Current Electronic Music and Art" Continuum Vol 8, No 1. Perth, 1994, page 69-82
60. "Collaborating with Amanda Stewart- Warren Burt Interviewed by Nicholas Zurbrugg" Continuum Vol 8, No 1. Perth, 1994, page 83-90
61. "Notes on Australian Experimental Music" Minnesotra Composers Forum Newsletter Vol 22, No. 3. St. Paul, March 1995, page 1, 6-7
62. "An Interesting Group of Combination-Product Sets Produces Some Very Nice Dissonances" 1/1 Vol. 9, No. 1, San Franciso, March 1995, page 1, 4-9
63. "Compositional Linguistics - Twentieth Century American Composers and the Text" Art and Design No. 45, London, 1995, p. 10-15
64. "Movement Controlled Electronic Music in Improvisational Performance" The Journal of Improvisational Practice Vol. 1, No. 1, Melbourne, Dec. 95, p. 17-21
65. "Audible Design, by Trevor Wishart-A review" Experimental Musical Instruments vol 11 #2, Nicasio, Ca. Dec. 95
66. Various record and video reviews - Experimental Musical Instruments Vol 11 #3, Nicasio, Ca. Mar. 96, p. 29, 32-35; Vol 12 #2, Dec. '96, p.39, Vol 12 #3, Mar. '97. pp. 40-41 and every issue until Vol 14, no. 4, 1999.
67. "On Performing Harry Partch's "Bitter Music" British Harry Partch Society Newsletter Vol. 1, #4, Birmingham, Feb. 96, p. 4-6
68. "Warren Burt: An Interview" with Barton McLean, Society of Composers, Inc. Newsletter Vol 26 #3, New York City, March 1996, p. 1-2
69. "Some Parentheses around Algorithmic Composition"Organized Sound vol 1, #3, Cambridge, 1996, p. 167-172
70. "Microtonal Pitch Systems in Some Recent Music" in Proceedings of the 1996 Australian Computer Mjsic Association Conference, QUT Academy of the Arts, Brisbane, 1996, p. 13-21
71. "Adventures in Scale Generation Along a Wilsonian Path, Part 1" 1/1 Vol 9 #3, San Francisco, Summer 1996, p. 1, 6-12
72. "Colin Offord: Mouth Bows, Moonbells, and More" Experimental Musical Instruments vol 12, #3, Nicasio, Ca. March '97, pp. 13-18
73. "Microtonal Harmonic Systems in 'Harmonic Colour Fields'" Proceedings of the 1997 Australasian Computer Music Association Conference, University of Auckland, NZ, 1997, p. 44-53
74. "Fluxus, Music, and Performance: The Sonic Origins of a Cross-Disciplinary Art Movement" in catalog: " Francesco Conz and the Multi-Media Avant-Garde Queensland Art Gallery, 1997, pp. 27-34
75. "Electronic Music" in The Oxford Companion to Australian Music, Oxford University Press, Melbourne, Dec. 97
76. "Microtonal and Structural Aspects of My Monodies I and II, for microtonal guitar" Leonardo Music Journal, vol 1, nr. 7, pp 81-83, MIT Press, Cambridge, 1997
77. "After Some Songs, by Joel Chadabe" a review. Computer Music Journal Vol 21, #2, MIT Press, Cambridge, Autumn 1997.
78. "Two Homages to Jackson Mac Low - November 1996" Crayon - Festschrift for Jackson MacLow's 75th Birthday, Brooklyn,1997, pp. 203-207
79. "Harry Partch: Enclosure 3" a review Cantrill's Film Notes vol 87,88, Melbourne, Jan 1998
80. "Harry Partch: Enclosure 3" another review Experimental Musical Instruments, Feb. 1998
81. "Electric Sound, by Joel Chadabe" a review. Computer Music Journal, Spring 1998.
82. "Sonic Residues" and "Mistika - Linda Ceff" two reviews. Chroma, No. 23 June 1998, pp. 3-7; pp 7-8.
83. "Diversity" Cantrill's Filmnotes, No. 89-90, Melbourne, June 1998, pp.16-23.
84. "Adventures in Scale Generation Along a Wilsonian Path, Part 2" 1/1 Vol. 10, #1, San Francisco, Winter1998, pp. 4-10.
85. "A Year of Fridays" BOOK of computer processed video stills of Year of Fridays Project. Scarlet Aardvark, Melbourne, 1999 (self-published) - edition of 30.
86. "A Happy Glut of Windows Shareware and Software" Chroma No. 24, Melbourne, March 1999, pp. 6-18.
87."The Spectacle and Computer Music: A Critical Assessment" in Proceedings of the ACMC99, Victoria U. of Wellington, July 1999.
88. "Interview with Warren Burt" by Elizabeth Dempster. Writings on Dance No. 18-19, Melbourne, Winter 1999, pp. 51-71.
89. "Greg Schiemer - An Interview with Warren Burt" Chroma No. 25, Australasian Computer Music Association, Melbourne, July 1999, pp. 3-6.
90. "Computer Music Tutorial by Curtis Roads - a Review" Computer Music Journal, Vol 23, No. 2, Summer 1999, MIT Press.
91. "Immersion", "Barry Truax & Christian Calon", "Miniatures Concretes; Presence", "Roads to Chaos" "Matthew Burtner", reviews Computer Music Journal, Vol 23, No. 4, Winter 1999, MIT Press.
92. "Resonances" on Kenneth Gaburo, with Erik Belgum and Philip Blackburn, Musicworks 75, Fall 1999, pp. 30-41.
93. "Too Many New CDs" Chroma No. 26-27, Australasian Computer Music Association, Melbourne, March 2000, pp. 19-30; reprinted in Open Space no. 2, August 2000.
94. Critical Vices: The Myths of Post-Modern Theory co-written with Nicholas Zurbrugg (principal author). Gordon and Breach, NY and London, 2000.
95. "Teaching without Teaching: An Interview with Al Wunder" in Musicworks 76, April 2000, pp. 11-18.
96. "Georgina Born: Rationalizing Culture" review in Open Space no. 2, August 2000
97. "Expanding contexts for computer music: one composer's experience" in Organised Sound Vol 6, no. 1, 2001
98. "New Zealand Sonic Art, Vol. 2" review in Music in New Zealand no. 40, Summer 2001-2002
99. "Developing and Composing Scales based on Recurrent Sequences" in form space time: Proceedings of the 2002 Australasian Computer Music Conference Melbourne, 2002
100. "Felix Werder, the Non-Sequitur, and the Outsider" in "Lineages: A Tribute to Felix Werder"That Thing Productions, Melbourne, 2002
101 - 106. "Experimental Music in Australia," "ElectroAcoustic and Computer Music: Composition," "Music/Dance Collaboration - The Composer's View," "Music for Contemporary Dance," "The Composer-Performer Tradition" and "Dance-Activated Music Technology" in The Currency Press Companion to Music and Dance in Australia Currency Press, Sydney, 2003
107-109."Robert Ashley", "Kenneth Gaburo", "Alvin Lucier" chapters in Larry Sitsky, ed. The Twentieth Century Musical Avant-Garde: A Bio-Critical Sourcebook Greenwood Press, Connecticut, forthcoming 2003